2020 is now a full week in. The confetti and streamers have been cleaned up and we’ve all gotten adjusted to the new year and a new decade. The year where our patience finally pays off has arrived. The movies offered in 2020 have been some that we’ve waited to land on the movie screen for some time. Long awaited follow-ups to Bad Boys and Coming to America arrive while the Wyld Stallyns reunite in Bill & Ted Face the Music. It’s not all sequels and reboots though, we’re getting a new musical with Lin-Manuel Miranda’s In the Heights coming to the big screen, courtesy of Crazy Rich Asians’ director Jon M. Chu. There’s a new slew of thrillers, horror films, colorful animated treats, action-adventures, and more. It’s never too early to get excited about movies so start marking these titles on your calendar.
When it comes to murder mysteries, I haven’t run into many that I’ve overall liked in the last few years, most falling into the category of one and done viewings. Thank God for Rian Johnson using his writing and directorial talents to Knives Out, a silly, stabby, brilliant whodunit.
With the upcoming launch of the Disney+ streaming network on November 12, the Mouse House put out trailers and news for upcoming original content that can only be found on their service. One trailer that debuted is the upcoming retelling of Disney’s classic, Lady and the Tramp.
With Disney banking on the success of modern retelling of their animated classics, what’s the next animated film to get a fresh paint of live-action?
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The official synopsis: “This timeless retelling of the 1955 classic about a pampered house dog and a tough but lovable stray embark on an unexpected adventure and, despite their differences, grow closer and come to understand the value of home.”
Out of all the movies of my Disney collection, I still view this one as an underrated success. The fifteenth Disney animated feature film was released in 1955, nestled between other classics such as Peter Pan and Sleeping Beauty. However, not a lot of people talk about it as one of the studios’ all-time greats. That doesn’t mean that this tale about home, friendship, and unexpected love should be forgotten.
I would have thought this live-action movie would have been made for the big screen and, considering the cast, it should be; Tessa Thompson voicing Lady, Justin Theroux as Tramp, along with Sam Elliott, Janelle Monae, and Benedict Wong is enough to get an audience into seats. Since launching your own streaming service needs to have a big opener, it makes more sense to have Lady and the Tramp be a headliner.
I’ve enjoyed Disney’s current run of live-action remakes. They all haven’t been classics, but I appreciate that they want these stories retold for a new time and generation to enjoy. They have cranked out their greatest hits with Beauty and the Beast, The Jungle Book, and recently, Aladdin and The Lion King. There has even been an updated retelling of Winnie the Pooh that relates to children and adults with Christopher Robin! With Mulan scheduled for next year and The Little Mermaid currently in the works, it looks like the remake train will continue to roll. My only concern now is that Disney might have painted themselves into a corner as far as what other stories to retell from their deep vault.
Here’s my short list of what could possibly be next to hit theaters or Disney+.
The Fox and The Hound
Another underrated classic could find its path laid out, depending on the success of Lady and The Tramp. While I like this movie, I found it to be average; I’ll watch it if it’s on but I’m not going to go out of my way to put it on. Despite its charm, The characters and story felt too formulaic to me as I look back on it. Maybe a CGI-adaptation is what this movie needs to reclaim some Disney magic.
The Hunchback of Notre Dame
One of my absolute favorites from the dark corners of the Disney Renaissance, this animated version of Victor Hugo’s novel was one of Disney’s first films to explore mature themes such as lust, damnation, sin. Despite the changes to the original source material to give it a G rating in the late 90’s, one can guess that the story of Quasimodo and his quest for acceptance will have a modern touch on the Disney+ streaming service or theatrical release, still addressing those mature themes and being family-friendly.
The Great Mouse Detective
Personally, I wouldn’t mind seeing a CGI-animated re-telling of this lost gem. Before the time of the Disney Reniassance, Walt Disney studios struggled to find its footing in 1986 after the under-performance of The Black Cauldron a year prior. Based on the book series, Basil of Baker Street by Eve Titus, Basil consciously emulates Sherlock Holmes in this caper film that doesn’t get enough respect. If it’s not getting a theatrical release, put this film on Disney+!
From mice to to their larger rivals, The Arisocats have been LONG overdue for a re-telling. The musical romantic film about a family of aristocratic cats crossing paths with an alley cat after their butler kidnaps them for a fortune is fun and energetic, filled with great music and adorable characters. Despite not being one of the films frequently talked about in casual Disney circles, these cats deserve their time to roam and dance around in the digital age.
Oliver and Company
I don’t think I could champion this story any better. The adaptation of Oliver Twist with dogs was brilliant and has aged well enough to deserve a re-telling. The classic story of the orphan child is one that has withstood the test of time, getting re-telling after re-telling over the years. I think we’re overdue for another, but Disney should get the nod this time around to tell the story. Despite mixed reviews during its initial release (Seriously, it went against The Land Before Time), it remains beloved among the adults who grew up in the early days of the Disney Renaissance.
Even though Disney would be adapting B, or even C, level animated movies, and dusting off lost gems, these films should be up for remake consideration after the A-List films have their time in the sun. These movies might not be totally well-known, but deserve to be shown to a new generation of film-viewers.
Thanks for reading, everyone!
What are your thoughts about Disney’s live-action remakes? Is there a movie I missed that should be on this short list?
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This year hasn’t had much competition in the raunchy comedy/romantic comedy department. So while everyone is focusing on the mega blockbusters coming this summer season, a movie such as Long Shot could sneak under the radar. Going to an early screening of the comedy, I wasn’t sure what to expect. The main selling point were the two leads.
And that was enough.
Long live the Avengers.
For this review, I felt compelled to start off by honoring these comic-book heroes that have touched the lives of millions of fans around the world, both new and old. Since 2008, Marvel Studios has been on a superhero odyssey; creating memorable moments, whole standalone franchises and bringing the comic books to life.
After the devastating end to last year’s Infinity War, there had to be one last sequel in order to set things right in the universe.
The first three months of the year as usually prime pickings for a horror movie as fans pack theaters ready for jump scares. Jordan Peele made a name for himself in his directorial debut film, Get Out. But could his follow-up, Us, dodge the sophomore slump for early directors?
I will say this: Don’t mistake this movie for a horror film.Read More »
Aladdin is one of the Disney’s best animated classics. Released in 1992, it was one of the leaders during the Disney film era known as the Disney Renaissance. Following the story of Aladdin, an Arabian street urchin, he comes across a magic lamp that contains a genie, voiced by the late, great Robin Williams. After that, he embarks on an adventure to not only save the princess but also the entire kingdom of Agrabah.
Now that a new special look trailer dropped last night during the Grammys, I’m still excited to see the live-action adaptation, but now with more caution thanks to a mega-star in blue.
When I look back at 2018 in film, I will remember a few things: this was a great year for documentaries; foreign and world cinema are on the rise; smaller studios are creating the majority of original content and interesting projects right now; the superhero genre continues to grow and still has the ability to break the hearts of their fans, both positively and negatively. Overall, I’d like to think that 2018 was a very strong year for film – filled with its ups and downs, successes and failures. Many studio films balanced monetary and critical success excellently and smaller films challenged many perceptions we have and placed them under a sometimes uncomfortable microscope.
Aquaman has never been the strongest or well-received superhero in DC comics. I mean, come on; a guy who can swim and talk to sea animals? He has always been seen as a second-tier superhero in comparison to the likes of the DC Trinity. With an entertaining but ludicrous story and good old fashioned fun, Aquaman has the DC Extended Universe continuing on the right course it started with Wonder Woman.
The first Spider-Man film debuted in 2002. Since then, we’ve had seven feature films about Marvel’s webslinger. Out of all of them, this is the first in the series since Spider-Man 2 that I’ve thoroughly enjoyed. Spider-Verse begins like all the others: the tragic origin story of Peter Parker. But we get hit with a zinger: Peter Parker isn’t the only one to wear the mask.