When I look back at 2018 in film, I will remember a few things: this was a great year for documentaries; foreign and world cinema are on the rise; smaller studios are creating the majority of original content and interesting projects right now; the superhero genre continues to grow and still has the ability to break the hearts of their fans, both positively and negatively. Overall, I’d like to think that 2018 was a very strong year for film – filled with its ups and downs, successes and failures. Many studio films balanced monetary and critical success excellently and smaller films challenged many perceptions we have and placed them under a sometimes uncomfortable microscope.
I didn’t grow up watching the original Mary Poppins. The legendary Disney film was left out of my viewing collection until this year as I prepared for the new film featuring the perfect nanny. The movie is practically perfect in every way, just like Mary Poppins. How could Disney live up to the legacy that Julie Andrews set as she drifted down from London skies and into Disney legend? More than half a century later, remake-happy Hollywood touched on the legacy and built upon it with Mary Poppins Returns.