When Blumhouse’s Happy Death Day hit theaters two weeks before Halloween in 2017, I didn’t know what to expect from it. I saw it as a slasher version of Bill Murray’s 1993 comedy classic Groundhog Day – minus Bill Murray, of course. What it did have though was a new actress, Jessica Rothe, who put in a starmaking performance. So what could they do for a follow-up with their spin on horror-film final girl trope?
I didn’t grow up watching the original Mary Poppins. The legendary Disney film was left out of my viewing collection until this year as I prepared for the new film featuring the perfect nanny. The movie is practically perfect in every way, just like Mary Poppins. How could Disney live up to the legacy that Julie Andrews set as she drifted down from London skies and into Disney legend? More than half a century later, remake-happy Hollywood touched on the legacy and built upon it with Mary Poppins Returns.
Aquaman has never been the strongest or well-received superhero in DC comics. I mean, come on; a guy who can swim and talk to sea animals? He has always been seen as a second-tier superhero in comparison to the likes of the DC Trinity. With an entertaining but ludicrous story and good old fashioned fun, Aquaman has the DC Extended Universe continuing on the right course it started with Wonder Woman.
The first Spider-Man film debuted in 2002. Since then, we’ve had seven feature films about Marvel’s webslinger. Out of all of them, this is the first in the series since Spider-Man 2 that I’ve thoroughly enjoyed. Spider-Verse begins like all the others: the tragic origin story of Peter Parker. But we get hit with a zinger: Peter Parker isn’t the only one to wear the mask.
The Rocky franchise spans nearly forty years with eight films. Shocking, I know. When it comes to a boxing movie, most don’t get a sequel; much lass spawn other sequels and a spinoff. When you thought that every corner of this universe had been excavated for narrative gold, Creed II shows that there are still stories to tell and some fight left in the franchise. Read More »
When I saw Green Book‘s first trailer, I instantly drew comparisons to Driving Miss Daisy. With two actors whose work I’ve enjoyed of the years, I didn’t have to be oversold on how good this movie could be. In this type of film, the movie doesn’t work without a balance between the two main actors. Viggo Mortensen and his counterpart, Mahershala Ali, found the elegant, understated balance that made this film even more beautiful.
This Review is Spoiler-Free.Read More »
I am…a Potterhead. I own two sets of the books, reading each book of the series at least twice. I’ve seen the movies multiple times, either on Blu-Ray or when they come on cable. The only thing that I haven’t done yet is go to The Wizarding World of Harry Potter at Universal Studios in Orlando, Florida or go to London (trust me, it’s on the list). With that being said, it should come to no surprise, that I was going to be watching this movie the week of its release.
As a fan of the amazing world that J.K. Rowling has created and being an inspiration for myself as a writer, I can say that I enjoyed the magic returning to the silver screen again, but as an overall movie, it missed the mark. I enjoyed the first movie in this prequel series, but disappointed that this second one could not build upon the momentum its predecessor had. Read More »
I wasn’t exposed to Queen until my college years. After my freshman year of college, I was singing ‘We Will Rock You’ with my hallmates and celebrating with ‘We Are The Champions’ when Virginia Tech won the ACC championship. It’s safe to say that I had a good base of study to go off on when I went into this film last Saturday. Musically, it did not disappoint.
Long live Michael Myers!
Forget what you know about the Halloween sequels, or just wipe your browser history, to forget the other franchise entries that came in between. This meta-sequel to the 1978 horror classic returns the story to its core and fun as hell…
And well worth the long wait.Read More »
We all know how the formula works for a movie looking to enter the Oscar Race. If it works, why mess with it? Damien Chazelle followed the same formula in First Man that earned him multiple nominations with La La Land. With this movie, the young director is looking for a different result come Oscars night. A visual epic about the human drive to succeed and push beyond our limits.
And for the most part, he was successful.Read More »